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Showing posts with label CBSNEWS. Show all posts
Showing posts with label CBSNEWS. Show all posts

Thursday, April 19, 2012

Dick Clark Dead at 82

Dick Clark dead at 82,

Headshot studio portrait of American television host, producer, and actor Dick Clark, dressed in a blazer and tie, February 25, 1985.
 (Credit: CBS Photo Archive/Getty Images).
(CBS/AP) Host and TV producer Dick Clark has died. He was 82.
Spokesman Paul Shefrin said the "American Bandstand" creator had a heart attack Wednesday morning at Saint John's hospital in Santa Monica, a day after he was admitted for an outpatient procedure.
Pictures: Dick Clark
Read more: Dick Clark mourned by celebrities

Long dubbed "the world's oldest teenager" because of his boyish appearance, Clark bridged the rebellious new music scene and traditional show business, and was equally comfortable whether chatting about music with Sam Cooke or bantering with Ed McMahon about TV bloopers. He thrived as the founder of Dick Clark Productions, supplying movies, game and music shows, beauty contests and more to TV. Among his credits: "The $25,000 Pyramid," "TV's Bloopers and Practical Jokes" and the American Music Awards.
For a time in the 1980s, he had shows on all three networks and was listed among the Forbes 400 of wealthiest Americans. Clark also was part of radio as partner in the United Stations Radio Networks, which provided programs - including Clark's - to thousands of stations.
"There's hardly any segment of the population that doesn't see what I do," Clark told The Associated Press in a 1985 interview.
"It can be embarrassing. People come up to me and say, 'I love your show,' and I have no idea which one they're talking about."
The original "American Bandstand" was one of network TV's longest-running series as part of ABC's daytime lineup from 1957 to 1987. It later aired for a year in syndication and briefly on the USA Network. Over the years, it introduced stars ranging from Buddy Holly to Madonna. The show's status as an American cultural institution was solidified when Clark donated Bandstand's original podium and backdrop to the Smithsonian Institution.
Clark joined "Bandstand" in 1956 after Bob Horn, who'd been the host since its 1952 debut, was fired. Under Clark's guidance, it went from a local Philadelphia show to a national phenomenon.
"I played records, the kids danced, and America watched," was how Clark once described the series' simplicity. In his 1958 hit "Sweet Little Sixteen," Chuck Berry sang that "they'll be rocking on Bandstand, Philadelphia, P-A."
As a host, he had the smooth delivery of a seasoned radio announcer. As a producer, he had an ear for a hit record. He also knew how to make wary adults welcome this odd new breed of music in their homes.
Clark endured accusations that he was in with the squares, with critic Lester Bangs defining Bandstand as "a leggily acceptable euphemism of the teenage experience." In a 1985 interview, Clark acknowledged the complaints. "But I knew at the time that if we didn't make the presentation to the older generation palatable, it could kill it."
"So along with Little Richard and Chuck Berry and the Platters and the Crows and the Jayhawks ... the boys wore coats and ties and the girls combed their hair and they all looked like sweet little kids into a high school dance," he said.
But Clark defended pop artists and artistic freedom, the Rock and Roll Hall of Fame said in an online biography of the 1993 inductee. He helped give black artists their due by playing original R&B recordings instead of cover versions by white performers, and he condemned censorship.
His stroke in December 2004 forced him to miss his annual appearance on "Dick Clark's New Year's Rockin' Eve." He returned the following year and, although his speech at times was difficult to understand, many,  including other stroke victims,  praised his bravery.
Still speaking with difficulty, he continued taking part in his New Year's shows, though in a diminished role. Ryan Seacrest became the main host.
"I'm just thankful I'm still able to enjoy this once-a-year treat," he told The Associated Press by e-mail in December 2008 as another New Year's Eve approached.
He was honored at the Emmy Awards in 2006, telling the crowd: "I have accomplished my childhood dream, to be in show business. Everybody should be so lucky to have their dreams come true. I've been truly blessed."
He was born Richard Wagstaff Clark in Mount Vernon, N.Y., in 1929. His father, Richard Augustus Clark, was a sales manager who worked in radio.
Clark idolized his athletic older brother, Bradley, who was killed in World War II. In his 1976 autobiography, "Rock, Roll & Remember," Clark recalled how radio helped ease his loneliness and turned him into a fan of Steve Allen, Arthur Godfrey and other popular hosts.
From Godfrey, he said, he learned that "a radio announcer does not talk to `those of you out there in radio land'; a radio announcer talks to me as an individual."
Clark began his career in the mailroom of a Utica, N.Y., radio station in 1945. By age 26, he was a broadcasting veteran, with nine years' experience on radio and TV stations in Syracuse and Utica, N.Y., and Philadelphia. He held a bachelor's degree from Syracuse University. While in Philadelphia, Clark befriended Ed McMahon, who later credited Clark for introducing him to his future "Tonight Show" boss, Johnny Carson.
In the 1960s, "American Bandstand" moved from black-and-white to color, from weekday broadcasts to once-a-week Saturday shows and from Philadelphia to Los Angeles. Although its influence started to ebb, it still featured some of the biggest stars of each decade, whether Janis Joplin, the Jackson 5, Talking Heads or Prince.
But Clark never did book two of rock's iconic groups, the Beatles and the Rolling Stones. Elvis Presley also never performed, although Clark managed an on-air telephone interview while Presley was in the Army.
When Michael Jackson died in June 2009, Clark recalled working with him since he was a child, adding, "of all the thousands of entertainers I have worked with, Michael was THE most outstanding. Many have tried and will try to copy him, but his talent will never be matched."
Clark kept more than records spinning with his Dick Clark Productions. Its credits included the Academy of Country Music and Golden Globe awards; TV movies including the Emmy-winning "The Woman Who Willed a Miracle" (1984), the "$25,000 Pyramid" game show and the 1985 film "Remo Williams: The Adventure Begins." Clark himself made a cameo on "The Fresh Prince of Bel-Air" and a dramatic appearance as a witness on the original "Perry Mason." He was an involuntary part of Michael Moore's Academy Award-winning "Bowling for Columbine," in which Clark is seen brushing off Moore as the filmmaker confronts him about working conditions at a restaurant owned by Clark.
In 1974, at ABC's request, Clark created the American Music Awards after the network lost the broadcast rights to the Grammy Awards.
He was also an author, with "Dick Clark's American Bandstand" and such self-help books as "Dick Clark's Program for Success in Your Business and Personal Life" and "Looking Great, Staying Young." His unchanging looks inspired a joke in "Peggy Sue Gets Married," the 1986 comedy starring Kathleen Turner as an unhappy wife and mother transported back to 1960. Watching Clark on a black-and-white TV set, she shakes her head in amazement, "Look at that man, he never ages."
Clark's clean-cut image survived a music industry scandal. In 1960, during a congressional investigation of "payola" or bribery in the record and radio industry, Clark was called on to testify.
He was cleared of any suspicions but was required by ABC to divest himself of record-company interests to avoid any appearance of a conflict of interest. The demand cost him $8 million, Clark once estimated. His holdings included partial ownership of Swan Records, which later released the first U.S. version of the Beatles' smash "She Loves You."
In 2004, Clark announced plans for a revamped version of "American Bandstand." The show, produced with "American Idol" creator Simon Fuller, was to feature a host other than Clark.
He was diagnosed with type 2 diabetes in 1994 and served as spokesman for the American Association of Diabetes Educators.
Clark, twice divorced, had a son, Richard Augustus II, with first wife Barbara Mallery and two children, Duane and Cindy, with second wife Loretta Martin. He married Kari Wigton in 1977.

Friday, April 06, 2012

"American Idol": Deandre Brackensick goes home

By
Chris Matyszczyk
Topics
Television

SOURCE: CLICK ME:
Ryan Seacrest and the bottom three contestants - Elise Testone, Hollie Cavanagh and Deandre Brackensick - on "American Idol," April 5, 2012.
 (Credit: Fox)

"American Idol" Season 11

Who will win this season of "American Idol"?

  • Hollie Cavanagh
    7%
  • Colton Dixon
    11%
  • Skylar Laine
    6%
  • Joshua Ledet
    9%
  • Phillip Phillips
    19%
  • Jessica Sanchez
    44%
  • Elise Testone
    5%
(CBS News) At the beginning of Wednesday night's "American Idol" results show, Joshua Ledet was feeling ill. Immediately, Jennifer Lopez presented her new video, in which she and her new man show quite a lot of flesh, while she sings about making love.
This all managed to get heartbeats up to the requisite levels before the elimination that saw the sweet curls of Deandre Brackensick waft straight out the door.
Because only eight remained, the harsh news was delivered in pairs. This, naturally, was prefaced with at least a couple of wise words from mentor Jimmy Iovine.
His verdict on the tender Ledet: "He looked like a real pro." Of the tiny Jessica Sanchez: "That wasn't enough." She needs bigger songs, more powerful songs, thought Iovine. Sanchez's excuse was that there weren't many songs in the '80s that fit her voice. Which might come as a slight surprise to anyone who lived through those 10 short years.
Sanchez and Ledet were both told they were safe. So three of the last six would be stoolbound.
British boy-child band The Wanted offered an interlude, during which their lips moved, but the sounds seemed sometimes to be coming from elsewhere.
Next into the judging booth were two of the more wanted: Colton Dixon and Skylar Laine. Iovine believed that Laine had proved she was a power singer. Ergo, "she can win the whole thing." Dixon, however, was "good, not great."
Just when these two hoped to get their verdict, Hollie Cavanagh and Deandre Brackensick were invited to join the turmoil.
"Hollie's problem is that she's approaching this like a high school performer," intoned Iovine. "And last night wasn't even a good high school performance." He suggested it would be either her or Brackensick to go home. "Deandre was not great," said Iovine. "He was the weakest of the boys last night."
Iovine then predicted that Jennifer Lopez might have to save the falsettist.
Lopez was offended. She was right, she declared. She had watched the show again. Deandre was good. No, wait, he was great. But not great enough to avoid the bottom three. Cavanagh joined him there.
In another pause for breath and contemplation, an "Idol" contestant from the past, Kellie PIckler, came to the stage. She proved not only that you don't have to win in order to have a successful career, but also that, if you persevere, you can sing a lot better than you did on the show.
We still had to hear Iovine's judgments of Phillip Phillips and Elise Testone. "This was Phillip's worst performance of the show," was his verdict. It was, though, "good." Iovine accused Testone of "an old-fashioned choke." She had, apparently, sung "I Want to Know What Love Is" beautifully in rehearsals. However, when she hit the stage, she didn't know what singing was.
"She didn't even sing the tune," whined Iovine.
Phillips offered a heartfelt counterpoint to any potential criticism. "I'm just being myself," he said. He said he simply isn't interested in walking around the stage and touching people's hands. No, it's not a hygiene thing. "I'm just trying to play music," he explained. How quaint. Didn't he know that's what you're supposed to do on "Idol"?
When the lights were dimmed, so were Testone's hopes.
Immediately, though, Ryan Seacrest sent Cavanagh back to the softness of the couches. Brackensick looked like the "bracken" part of his name had disappeared. It was between him and Testone.
"Did America get this right?" asked Seacrest of the judges. No, they said. Lopez and Randy Jackson conceded that America had been "half-right." If only we could all be even half right in our lives.
To Testone's amazement, it was Brackensick who had to sing for his life. He walked around. He touched hands. He did everything Phillips would refuse. In his jam, he sang "Jammin'."
Would the judges save him? They only have one save before the top five. Lopez kept looking down, as if she had some notes prepared.
"I only have one vote," she said, before telling Brackensick his locks would be locked out. Seacrest pressed her. Was it all the fault of Tyler and Jackson? Had they taken the shears out and snipped a boy in his prime? "Yes, that's what I'm saying," replied Lopez.
Brackensick wasn't eliminated for his performance the previous night. It hadn't been the worst. His falsetto, though, is something upon which he relied far too much. It made too many nerves feel uncomfortable. When he dropped it, his singing became both more interesting and more palatable. Surely someone might have told him that men with high voices don't often move the girls. And let no one be under any illusion that the majority of the voters are not female.
As, for once, are the majority of the Magnificent Seven.

END OF SOURCE...